Products

Skip to results list
70 items

Filter

  • Hirame takes its name from the Japanese word for olive flounder. This reproduction of an 1884 Japanese colour lithograph presents two views of the same remarkable fish: its pale underside and its dark upper surface. The dramatic contrast between them, combined with the flounder’s extraordinary flattened anatomy, gives the composition an almost sculptural quality. The original appeared in Namima no nishiki, or Brocades of the Waves

    Hirame

    Hirame
    £95.00
  • A reproduction of an 1833 coloured engraving of Schizanthus pinnatus ‘Humilis’, originally published in The Floricultural Cabinet. Known as the butterfly flower or poor man’s orchid, its intricate pink, crimson and yellow blooms have an almost orchid-like delicacy, set against finely drawn, feathery foliage.

    Humilis

    Humilis
    £95.00
  • Isaki takes its name from the Japanese word for chicken grunt, a fish found throughout the coastal waters of East Asia. This reproduction of a late-19th-century Japanese colour lithograph depicts isaki alongside shirogisu and aogisu, two species of whiting. Their contrasting forms, subtly patterned scales and flashes of gold and silver are rendered with exceptional precision against the deep indigo ground. The original appeared in Namima no nishiki, or Brocades of the Waves, a remarkable series of twelve

    Isaki

    Isaki
    £95.00
  • Islas Malvinas

    Islas Malvinas

    Islas Malvinas
    £95.00
  • Joseon (North Korea)

    Joseon (North Korea)

    Joseon (North Korea)
    £95.00
  • Kaizu takes its name from a Japanese term for the young black sea bream. This reproduction of an 1884 Japanese colour lithograph pairs kaizu with takanohatai, or spotted-tail morwong. Silvery scales, dark banding and finely articulated fins are set against the deep indigo ground, creating a composition that feels both historic and strikingly modern. The original appeared in Namima no nishiki, or Brocades of the Waves, a remarkable series of twelve prints devoted to the inhabitants of Japanese waters.

    Kaizu

    Kaizu
    £95.00
  • Kinryūzan

    Kinryūzan

    Kinryūzan
    £95.00
  • Kohada takes its name from the Japanese word for gizzard shad, a silver-scaled fish prized in traditional Japanese cuisine. This reproduction of an 1884 Japanese colour lithograph depicts three species: aji, or scad; sappa, or sardinella; and kohada, or gizzard shad. Their shimmering scales and intricate markings are rendered with extraordinary precision against the deep indigo ground. The original appeared in Namima no nishiki, or Brocades of the Waves, a remarkable series of twelve prints devoted to the

    Kohada

    Kohada
    £95.00
  • Kurodai takes its name from the Japanese word for black sea bream. This reproduction of an 1884 Japanese colour lithograph pairs the dark, powerful form of the kurodai with the warmer tones of an amatai, or tilefish. Their beautifully articulated scales, fins and distinctive profiles stand dramatically against the deep indigo ground. The original appeared in Namima no nishiki, or Brocades of the Waves, a remarkable series of twelve prints devoted to the inhabitants of Japanese waters.

    Kurodai

    Kurodai
    £95.00
  • Kurokami captures the elegance and extraordinary visual language of historical Japanese portraiture. This beautiful reproduction of a 19th-century gouache painting by an unknown Japanese artist is named for the Japanese word for “black hair”. The work is dominated by the sitter's elaborate coiffure and gilded hair ornaments, set against the vivid vermilion, indigo and softly aged tones of her robes.

    Kurokami

    Kurokami
    £95.00
  • Laudanum

    Laudanum

    Laudanum
    £95.00
  • A delicate study of Marasmius, a widespread genus of small woodland fungi known for their slender stems and finely pleated caps. The intricate gills and sculptural forms are beautifully captured against a soft blue-grey ground, giving this historic mycological illustration a wonderfully understated quality. This BAXCO reproduction is derived from a 1905 watercolour by Cecil Henry Spencer Perceval (1849–1920), painted at Longwitton, near Morpeth. Perceval's original annotation identifies the specimen simply

    Marasmius

    Marasmius
    £95.00
  • A magnificent nineteenth-century mbuni/ostrich, originally published in London in 1829 by Thomas Kelly as part of The Wonders of the Animal Kingdom. The beautifully detailed engraving captures everything from its dense black plumage to those extraordinary feet and wonderfully alert expression. For this BAXCO edition, the bird has been isolated against a muted olive ground, while the original Plate IX marking and title have been retained. The titles comes from the Swahili word for Ostrich.

    Mbuni

    Mbuni
    £95.00
  • A dramatic botanical study of monkshood, or Aconitum napellus, instantly recognisable by its extraordinary violet-blue flowers. Beautiful but highly poisonous, the plant has a long and sinister history in folklore, medicine, and poisoning, earning it another enduring name: wolfsbane. The illustration originates from an 1855 hand-coloured engraving by J. Johnstone, published in Glasgow by Blackie & Son as part of a wider study of poisonous plants.

    Monkshood/Wolfsbane

    Monkshood/Wolfsbane
    £95.00
  • Mythical Seas

    Mythical Seas

    Mythical Seas
    £95.00
  • Quiet, intimate and beautifully observed, this is a reproduction of a 19th-century Japanese gouache painting that celebrates the familiar domestic animal at its most contented. A sleeping cat curled into an almost perfect circle, its body reduced to a beautiful sweep of delicate lines against the muted sage background.

    Neko

    Neko
    £95.00
  • Nihon (Japan)

    Nihon (Japan)

    Nihon (Japan)
    £95.00
  • Oiran takes its name from the elaborately dressed courtesan portrayed on stage by a male kabuki actor, identifiable through the extraordinary hairstyle, ornamental hairpins, richly patterned robes, and theatrical gesture. This reproduction of an early 1860s colour woodcut by Utagawa Kunikazu captures the actor beneath cascading blossoms, dressed in layers of deep blue, gold, red, and black and carrying an enormous lobster prop.

    Oiran

    Oiran
    £95.00
  • Opium

    Opium

    Opium
    £95.00
  • Pervitin (aka Crystal Meth)

    Pervitin (aka Crystal Meth)

    Pervitin (aka Crystal Meth)
    £95.00
  • A finely observed botanical study of poisonous lettuce, or Lactuca virosa, a wild relative of the familiar garden lettuce with a rather darker reputation. Its milky sap, known as lactucarium, was historically used for its sedative and pain-relieving properties, earning the plant the evocative nickname “lettuce opium.” The illustration comes from an 1855 hand-coloured engraving by J. Johnstone, published in Glasgow by Blackie & Son as part of a study of four poisonous plants: hemlock, henbane, poisonous let

    Poisonous Lettuce

    Poisonous Lettuce
    £95.00
  • A reproduction of a 1800 coloured etching by J. Pass, after Johann Eberhard Ihle, depicting a flowering and fruiting Opuntia, or prickly pear. Its sculptural paddle-shaped stems, golden flower and ripening fruit are rendered with remarkable delicacy. Native to the Americas, Opuntia has since become an instantly recognisable plant across warmer regions of the world. Print displayed in A2 size. Print supplied unframed.

    Prickly Pear

    Prickly Pear
    £95.00
  • Shimadai & Kasugodai brings together two distinctive inhabitants of Japanese waters: the boldly striped beakfish and the warm, copper-toned red sea bream. This reproduction of an 1884 Japanese colour lithograph captures the contrasting forms of the two fish with remarkable delicacy. Their finely rendered scales, translucent fins and subtle natural colouring stand beautifully against the deep indigo ground. The original appeared in Namima no nishiki, or Brocades of the Waves

    Shimadai & Kasugodai

    Shimadai & Kasugodai
    £95.00
  • Shizuka takes its name from the Japanese word for “quiet” or “stillness”. This beautiful reproduction of a 19th-century Japanese painting by an unknown artist captures a solitary figure seated against an expanse of warm, textured paper. Her flowing black outer robe reveals flashes of rich vermilion beneath, while the restrained palette, delicate linework and generous use of negative space give the composition its striking sense of calm and intimacy.

    Shizuka

    Shizuka
    £95.00