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  <url>
    <loc>https://baxcoart.myshopify.com/</loc>
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  <url>
    <loc>https://baxcoart.myshopify.com/products/kurokami</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/BAXCO_Floating_World_Kurokami_Shopify_2000.jpg?v=1788262949</image:loc>
      <image:title>Kurokami</image:title>
      <image:caption>Kurokami captures the elegance and extraordinary visual language of historical Japanese portraiture.
This beautiful reproduction of a 19th-century gouache painting by an unknown Japanese artist is named for the Japanese word for&amp;nbsp;“black hair”. The work is dominated by the sitter&apos;s elaborate coiffure and gilded hair ornaments, set against the vivid vermilion, indigo and softly aged tones of her robes.</image:caption>
    </image:image>
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  <url>
    <loc>https://baxcoart.myshopify.com/products/wagasa</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/BAXCO_Floating_World_Wagasa_Shopify_STANDARD.jpg?v=1788264591</image:loc>
      <image:title>Wagasa</image:title>
      <image:caption>Wagasa takes its name from the traditional Japanese paper parasol that dominates the composition. Dating to around 1850, this colour woodcut depicts a tayū, an elite courtesan, on parade with her two kamuro, or child attendants, while a male attendant holds the great parasol above them. Brilliant vermilion and golden-yellow robes, elaborate textiles and delicate ornamentation turn the procession into a wonderfully theatrical display of colour and pattern.
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    </image:image>
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  <url>
    <loc>https://baxcoart.myshopify.com/products/kinryuzan</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/BAXCO_Floating_World_Kinryuzan_Shopify_2000_09a81f4a-7442-43c8-8627-c0d1ac5976c9.jpg?v=1788264094</image:loc>
      <image:title>Kinryūzan</image:title>
      <image:caption></image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/shizuka</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/BAXCO_Floating_World_Shizuka_Shopify_2000.jpg?v=1788263191</image:loc>
      <image:title>Shizuka</image:title>
      <image:caption>Shizuka takes its name from the Japanese word for “quiet” or “stillness”.
This beautiful reproduction of a 19th-century Japanese painting by an unknown artist captures a solitary figure seated against an expanse of warm, textured paper. Her flowing black outer robe reveals flashes of rich vermilion beneath, while the restrained palette, delicate linework and generous use of negative space give the composition its striking sense of calm and intimacy.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/aragoto</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/BAXCO_Aragoto_PRIMARY_SHOPIFY.jpg?v=1788352658</image:loc>
      <image:title>Aragoto</image:title>
      <image:caption>Aragoto takes its name from the bold, exaggerated style of kabuki performance associated with powerful, heroic, and often superhuman characters.
This reproduction of an early 1860s colour woodcut by Utagawa Kunikazu presents a commanding kabuki actor dressed in an extraordinary robe patterned with crashing waves, clouds, and dragons. His fierce expression, flowing white hair and beard, and imposing stance capture the heightened drama and spectacle of the kabuki stage.
</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/shobu</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/BAXCO_Shobu_PRIMARY_SHOPIFY.jpg?v=1788350360</image:loc>
      <image:title>Shōbu</image:title>
      <image:caption>Shōbu takes its name from the Japanese word for a contest or showdown, capturing the tension at the heart of this theatrical scene.
This reproduction of an early 1860s colour woodcut by Utagawa Kunikazu depicts a kabuki actor crouched beneath cascading cherry blossom, his sword held at his side. Bold expanses of black, vermilion, and muted blue contrast with the delicacy of the flowers overhead, giving the composition a powerful sense of anticipation.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/hanami</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/BAXCO_Hanami.jpg?v=1788295513</image:loc>
      <image:title>Hanami</image:title>
      <image:caption>Hanami takes its name from the Japanese tradition of gathering to admire the fleeting beauty of flowers, most famously the spring cherry blossom.
This reproduction of an early 1860s colour woodcut by Utagawa Kunikazu depicts kabuki actors in a confrontation beneath cascading blossoms. Richly patterned robes of deep blue, black and gold stand dramatically against the charcoal ground, while the extraordinary sweep of blossom overhead gives the composition both theatricality and a surprising amount of stillne</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/oiran</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/BAXCO_Oiran_PRIMARY_SHOPIFY.jpg?v=1788348449</image:loc>
      <image:title>Oiran</image:title>
      <image:caption>Oiran takes its name from the elaborately dressed courtesan portrayed on stage by a male kabuki actor, identifiable through the extraordinary hairstyle, ornamental hairpins, richly patterned robes, and theatrical gesture.
This reproduction of an early 1860s colour woodcut by Utagawa Kunikazu captures the actor beneath cascading blossoms, dressed in layers of deep blue, gold, red, and black and carrying an enormous lobster prop. </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/fuscia</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/Fuchsia_Shopify_Image.png?v=1788855984</image:loc>
      <image:title>Fuchsia</image:title>
      <image:caption>A striking reproduction of a c.1870 chromolithograph of fuchsia, after H. Briscoe and originally published in London by Groombridge &amp;amp; Sons. Cascading crimson flowers and deep green foliage capture the theatrical beauty of one of the Victorian era’s most fashionable garden plants.&amp;nbsp;</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/bird-of-paradise</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/Bird_Of_Paradise_Shopify_Image.png?v=1788856686</image:loc>
      <image:title>Bird of Paradise</image:title>
      <image:caption>A reproduction of a mid-19th-century watercolour of Strelitzia reginae, better known as the bird of paradise or crane flower. Native to South Africa, its extraordinary orange and blue flowers give the impression of an exotic bird in flight. Introduced to Britain in 1773, the plant was named in honour of Queen Charlotte of Mecklenburg-Strelitz.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/albiflora</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/Albiflora_Shopify_Image.png?v=1788856269</image:loc>
      <image:title>Albiflora</image:title>
      <image:caption>A reproduction of a mid-19th-century coloured lithograph of Lapageria rosea, the Chilean bellflower or copihue. This rare white-flowered form, Albiflora, transforms a plant better known for its deep red blooms into something altogether more delicate, with elegant ivory bells set against rich green foliage. Native to Chile, the copihue is today the country’s national flower.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/humilis</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/Humilis_Shopify_Image.png?v=1788856450</image:loc>
      <image:title>Humilis</image:title>
      <image:caption>A reproduction of an 1833 coloured engraving of Schizanthus pinnatus ‘Humilis’, originally published in The Floricultural Cabinet. Known as the butterfly flower or poor man’s orchid, its intricate pink, crimson and yellow blooms have an almost orchid-like delicacy, set against finely drawn, feathery foliage.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/prickly-pear</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/Prickly_Pear_Shopify_Image.png?v=1788857051</image:loc>
      <image:title>Prickly Pear</image:title>
      <image:caption>A reproduction of a 1800 coloured etching by J. Pass, after Johann Eberhard Ihle, depicting a flowering and fruiting Opuntia, or prickly pear. Its sculptural paddle-shaped stems, golden flower and ripening fruit are rendered with remarkable delicacy. Native to the Americas, Opuntia has since become an instantly recognisable plant across warmer regions of the world.
Print displayed in A2 size. Print supplied unframed.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/fig</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/Fig_Shopify_Image.png?v=1788856905</image:loc>
      <image:title>Fig</image:title>
      <image:caption>A reproduction of a&amp;nbsp;c.1872 coloured zincograph by J. Macfarlane, depicting the common fig, Ficus carica, in fruit. Broad, sculptural leaves surround ripening figs, with a halved fruit revealing the richly coloured interior. Cultivated since antiquity, the fig is native to western Asia and the eastern Mediterranean.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/heroin</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/BaxCoApothecarySeries01Heroin.jpg?v=1786782019</image:loc>
      <image:title>Heroin</image:title>
      <image:caption></image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/cocaine</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/BaxCoApothecarySeries02Cocaine.jpg?v=1786781965</image:loc>
      <image:title>Cocaine</image:title>
      <image:caption></image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/opium</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/BaxCoApothecarySeries03Opium.jpg?v=1786781917</image:loc>
      <image:title>Opium</image:title>
      <image:caption></image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/arsenic</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/BaxCo_Apothecary_Series_04_Arsenic.jpg?v=1786781857</image:loc>
      <image:title>Arsenic</image:title>
      <image:caption></image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/ether</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/BaxCo_Apothecary_Series_06_Ether.jpg?v=1786781786</image:loc>
      <image:title>Ether</image:title>
      <image:caption></image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/laudanum</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/BaxCo_Apothecary_Series_07_Laudanum.jpg?v=1786781731</image:loc>
      <image:title>Laudanum</image:title>
      <image:caption></image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/pervitin</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/BaxCo_Apothecary_Series_08_Pervitin.jpg?v=1786781652</image:loc>
      <image:title>Pervitin (aka Crystal Meth)</image:title>
      <image:caption></image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/strychnine</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/BaxCo_Apothecary_Series_09_Strychnine.jpg?v=1786781564</image:loc>
      <image:title>Strychnine</image:title>
      <image:caption></image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/cyanide</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/BaxCo_Apothecary_Series_05_Cyanide.jpg?v=1786781501</image:loc>
      <image:title>Cyanide</image:title>
      <image:caption></image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/arctic-fox</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/Arctic_Fox_-_LOW_RES_63a04487-9f7d-4aba-8d0a-1f5b05e08ca5.jpg?v=1789308456</image:loc>
      <image:title>Arctic Fox</image:title>
      <image:caption>An Arctic fox sheltering among the ice, drawn in around 1833 by Sir John Ross, Royal Navy officer and Arctic explorer, during the great age of polar exploration.
This BAXCO reproduction preserves Ross’s beautifully stark original illustration, with its glacial blues, winter whites and extraordinary black ice formation framing the curled fox.
A remarkable piece of early natural-history illustration capturing an animal perfectly adapted to one of the world’s most unforgiving landscapes.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/gatto</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/Gatto_Shopify_Image.png?v=1788773857</image:loc>
      <image:title>Neko</image:title>
      <image:caption>Quiet, intimate and beautifully observed, this is a reproduction of a 19th-century Japanese gouache painting that celebrates the familiar domestic animal at its most contented. A sleeping cat curled into an almost perfect circle, its body reduced to a beautiful sweep of delicate lines against the muted sage background.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/tiger</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/Blue_Tiger_-_LOW_RES_91632d17-41e6-450c-96b4-644000efd681.jpg?v=1789308541</image:loc>
      <image:title>Tiger</image:title>
      <image:caption></image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/mbuni</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/Mbuni_-_LOW_RES_2f7af867-72a2-4516-ab68-7d3ae669edca.jpg?v=1789308173</image:loc>
      <image:title>Mbuni</image:title>
      <image:caption>A magnificent nineteenth-century mbuni/ostrich, originally published in London in 1829 by&amp;nbsp;Thomas Kelly as part of The Wonders of the Animal Kingdom. The beautifully detailed engraving captures everything from its dense black plumage to those extraordinary feet and wonderfully alert expression.
For this BAXCO edition, the bird has been isolated against a muted olive ground, while the original Plate IX marking and title have been retained.&amp;nbsp;The titles comes from the&amp;nbsp;Swahili word for Ostrich.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/the-crested-boatbill</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/Boatbill_-_LOW_RES.jpg?v=1789300407</image:loc>
      <image:title>The Crested Boatbill</image:title>
      <image:caption></image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/ardea</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/Ardea_-_LOW_RES.jpg?v=1789300408</image:loc>
      <image:title>Ardea</image:title>
      <image:caption>There is something wonderfully serene about this 19th-century study of a heron. The long, elegant neck, dagger-like bill and beautifully detailed plumage give the bird an almost aristocratic presence.&amp;nbsp;
This print is a reproduction of an engraving created in 1808 by&amp;nbsp;Sydenham Edwards, the much-lauded Welsh natural history illustrator, and it captures his style brilliantly.
</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/the-flamingo</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/Flamingo_-_LOW_RES_c7b1f8b9-7c93-48ae-bd6e-f625a870047c.jpg?v=1789308265</image:loc>
      <image:title>The Flamingo</image:title>
      <image:caption>One of the most extraordinary birds in early natural history illustration, The Flamingo is taken from Mark Catesby’s The Natural History of Carolina, Florida and the Bahama Islands, published between 1731 and 1743. Originally appearing as Plate 73, one can only imagine Catesby&apos;s reaction when seeing a flamingo for the first time.&amp;nbsp;
For this BAXCO reproduction, we wanted to celebrate this almost 300-year-old beauty like a modern portrait. We have stripped away the surrounding landscape has been stripped</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/hirame</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/BAXCO_Hirame_PRIMARY_SHOPIFY.jpg?v=1788440143</image:loc>
      <image:title>Hirame</image:title>
      <image:caption>Hirame takes its name from the Japanese word for olive flounder.
This reproduction of an 1884 Japanese colour lithograph presents two views of the same remarkable fish: its pale underside and its dark upper surface. The dramatic contrast between them, combined with the flounder’s extraordinary flattened anatomy, gives the composition an almost sculptural quality.
The original appeared in Namima no nishiki, or Brocades of the Waves</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/kohada</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/BAXCO_Kohada_PRIMARY_SHOPIFY_1.jpg?v=1788427032</image:loc>
      <image:title>Kohada</image:title>
      <image:caption>Kohada takes its name from the Japanese word for gizzard shad, a silver-scaled fish prized in traditional Japanese cuisine.
This reproduction of an 1884 Japanese colour lithograph depicts three species: aji, or scad; sappa, or sardinella; and kohada, or gizzard shad. Their shimmering scales and intricate markings are rendered with extraordinary precision against the deep indigo ground.
The original appeared in Namima no nishiki, or Brocades of the Waves, a remarkable series of twelve prints devoted to the</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/isaki</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/BAXCO_Isaki_PRIMARY_SHOPIFY.jpg?v=1788440706</image:loc>
      <image:title>Isaki</image:title>
      <image:caption>Isaki takes its name from the Japanese word for chicken grunt, a fish found throughout the coastal waters of East Asia.
This reproduction of a late-19th-century Japanese colour lithograph depicts isaki alongside shirogisu and aogisu, two species of whiting. Their contrasting forms, subtly patterned scales and flashes of gold and silver are rendered with exceptional precision against the deep indigo ground.
The original appeared in Namima no nishiki, or Brocades of the Waves, a remarkable series of twelve </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/kurodai</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/BAXCO_Kurodai_PRIMARY_SHOPIFY.jpg?v=1788440018</image:loc>
      <image:title>Kurodai</image:title>
      <image:caption>Kurodai takes its name from the Japanese word for black sea bream.
This reproduction of an 1884 Japanese colour lithograph pairs the dark, powerful form of the kurodai with the warmer tones of an amatai, or tilefish. Their beautifully articulated scales, fins and distinctive profiles stand dramatically against the deep indigo ground.
The original appeared in Namima no nishiki, or Brocades of the Waves, a remarkable series of twelve prints devoted to the inhabitants of Japanese waters.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/kaizu</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/BAXCO_Kaizu_PRIMARY_SHOPIFY.jpg?v=1788440575</image:loc>
      <image:title>Kaizu</image:title>
      <image:caption>Kaizu takes its name from a Japanese term for the young black sea bream.
This reproduction of an 1884 Japanese colour lithograph pairs kaizu with takanohatai, or spotted-tail morwong. Silvery scales, dark banding and finely articulated fins are set against the deep indigo ground, creating a composition that feels both historic and strikingly modern.
The original appeared in Namima no nishiki, or Brocades of the Waves, a remarkable series of twelve prints devoted to the inhabitants of Japanese waters.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/shimadai</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/BAXCO_Shimadai-and-Kasugodai_PRIMARY_SHOPIFY_be071109-9516-4725-83e8-b7429b5e7400.jpg?v=1788440949</image:loc>
      <image:title>Shimadai &amp; Kasugodai</image:title>
      <image:caption>Shimadai &amp;amp; Kasugodai brings together two distinctive inhabitants of Japanese waters: the boldly striped beakfish and the warm, copper-toned red sea bream.
This reproduction of an 1884 Japanese colour lithograph captures the contrasting forms of the two fish with remarkable delicacy. Their finely rendered scales, translucent fins and subtle natural colouring stand beautifully against the deep indigo ground.
The original appeared in Namima no nishiki, or Brocades of the Waves</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/deadly-nightshade</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/Deadly_Nightshade_Shopify_Image.png?v=1788864294</image:loc>
      <image:title>Deadly Nightshade</image:title>
      <image:caption>A richly detailed botanical study of deadly nightshade, or Atropa belladonna, one of history’s most notorious poisonous plants. Its dark berries and dusky purple flowers belie a toxic reputation that has linked belladonna with medicine, cosmetics, folklore, and poison for centuries.
The illustration originates from an 1855 hand-coloured engraving by J. Johnstone, published in Glasgow by Blackie &amp;amp; Son as part of a wider study of poisonous plants.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/monkshood</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/Monkshood_Shopify_Image.png?v=1788864461</image:loc>
      <image:title>Monkshood/Wolfsbane</image:title>
      <image:caption>A dramatic botanical study of monkshood, or Aconitum napellus, instantly recognisable by its extraordinary violet-blue flowers. Beautiful but highly poisonous, the plant has a long and sinister history in folklore, medicine, and poisoning, earning it another enduring name: wolfsbane.
The illustration originates from an 1855 hand-coloured engraving by J. Johnstone, published in Glasgow by Blackie &amp;amp; Son as part of a wider study of poisonous plants.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/black-henbane</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/Black_Henbane_Shopify_Image.png?v=1788863933</image:loc>
      <image:title>Black Henbane</image:title>
      <image:caption>A striking botanical study of black henbane, or Hyoscyamus niger, a poisonous plant with a long and unsettling history. Used medicinally since antiquity but dangerous in uncontrolled doses, henbane became entwined with folklore, witchcraft, hallucinogenic preparations, and poison.
The illustration originates from an 1855 hand-coloured engraving by J. Johnstone, published in Glasgow by Blackie &amp; Son as part of a study of four poisonous plants: hemlock, henbane, poisonous lettuce and autumnal meadow saffron.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/common-hemlock</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/Common_Hemlock_Shopify_Image.png?v=1788864051</image:loc>
      <image:title>Common Hemlock</image:title>
      <image:caption>A finely detailed botanical study of common hemlock, or Conium maculatum, one of history’s most infamous poisonous plants. Used as a method of execution in the ancient world, hemlock is forever associated with the death of the Greek philosopher Socrates, who was sentenced to drink the poison in 399 BC.
The illustration originates from an 1855 hand-coloured engraving by J. Johnstone, published in Glasgow by Blackie &amp;amp; Son as part of a study of four poisonous plants: hemlock, henbane, poisonous lettuce an</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/autumnal-meadow-saffron</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/Autumnal_Meadow_Saffron_Shopify_Image.png?v=1788860039</image:loc>
      <image:title>Autumnal Meadow Saffron</image:title>
      <image:caption>A beautifully delicate botanical study of autumnal meadow saffron, or Colchicum autumnale. Its elegant crocus-like flowers conceal a potent toxicity: the plant contains colchicine, a compound that can be deadly but has also played an important role in medicine for centuries.
The illustration originates from an 1855 hand-coloured engraving by J. Johnstone, published in Glasgow by Blackie &amp; Son as part of a study of four poisonous plants: hemlock, henbane, poisonous lettuce and autumnal meadow saffron.
This</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/poisonous-lettuce</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/Poisonous_Lettuce_Shopify_Image.png?v=1788859891</image:loc>
      <image:title>Poisonous Lettuce</image:title>
      <image:caption>A finely observed botanical study of poisonous lettuce, or Lactuca virosa, a wild relative of the familiar garden lettuce with a rather darker reputation. Its milky sap, known as lactucarium, was historically used for its sedative and pain-relieving properties, earning the plant the evocative nickname “lettuce opium.”
The illustration comes from an 1855 hand-coloured engraving by J. Johnstone, published in Glasgow by Blackie &amp; Son as part of a study of four poisonous plants: hemlock, henbane, poisonous let</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/agaricus-bellulipes</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/Agaricus_Shopify_WEB.jpg?v=1789299997</image:loc>
      <image:title>Agaricus Bellulipes</image:title>
      <image:caption>A beautifully detailed study of Agaricus bellulipes, depicting a dense cluster of delicate golden mushrooms viewed from below. The radiating gills and warm ochre tones are set against a soft blue-grey ground, giving this historic mycological illustration an unusually elegant, almost architectural quality.
This BAXCO reproduction is derived from an 1893 watercolour by an unknown artist, originally inscribed “Agaricus velutipes, Clifton Feby/93.” </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/marasmius</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/Marasmius_Shopify_WEB.jpg?v=1789299535</image:loc>
      <image:title>Marasmius</image:title>
      <image:caption>A delicate study of Marasmius, a widespread genus of small woodland fungi known for their slender stems and finely pleated caps. The intricate gills and sculptural forms are beautifully captured against a soft blue-grey ground, giving this historic mycological illustration a wonderfully understated quality.
This BAXCO reproduction is derived from a 1905 watercolour by Cecil Henry Spencer Perceval (1849–1920), painted at Longwitton, near Morpeth. Perceval&apos;s original annotation identifies the specimen simply</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/death-cap</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/Death_Cap_Shopify_WEB.jpg?v=1789299249</image:loc>
      <image:title>Death Cap</image:title>
      <image:caption>The Death Cap is the only print in the entire BAXCO catalogue to appear in two collections. Its natural home is the Fungi Folios, but such an accomplished killer has also earned it honorary membership of the Deadly Botanicals.
This BAXCO reproduction is from a&amp;nbsp;c.1827 coloured lithograph by A. Cornillon after Prieur. Originally depicted as part of a larger study of twenty species of fungi, the Death Cap has been isolated and reworked as a standalone print, giving one of nature&apos;s most notorious mushroom</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/coprinus-lubatatus</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/Coprinus_Shopify_WEB.jpg?v=1789299321</image:loc>
      <image:title>Coprinus Lubatatus</image:title>
      <image:caption>A beautifully observed study of Coprinus Lubatatus, depicting a cluster of slender fungi with delicately striated caps and elegant, twisting stems. Set against a soft blue-grey ground, the intricate forms give this historic mycological illustration an almost otherworldly quality.
This BAXCO reproduction is from an&amp;nbsp;1896 watercolour by an unknown artist, believed to have been painted in Clevedon, Avon.&amp;nbsp;</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/mythical-seas</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/MSstandard.jpg?v=1787305567</image:loc>
      <image:title>Mythical Seas</image:title>
      <image:caption></image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/islas-malvinas</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/Malv_standard.jpg?v=1787305117</image:loc>
      <image:title>Islas Malvinas</image:title>
      <image:caption></image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/falkland-islands</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/FI_standard.jpg?v=1787305061</image:loc>
      <image:title>Falkland Islands</image:title>
      <image:caption></image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/nihon-japan</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/Nihonstandard.jpg?v=1787305482</image:loc>
      <image:title>Nihon (Japan)</image:title>
      <image:caption></image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/zhongguo-china</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/Chinastandard.jpg?v=1787305274</image:loc>
      <image:title>Zhongguo (China)</image:title>
      <image:caption></image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/daehan-minguk-south-korea</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/Soth_Korea_in_Korean.jpg?v=1786729211</image:loc>
      <image:title>Daehan Minguk (South Korea)</image:title>
      <image:caption></image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/joseon-north-korea</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/North_Korea_in_Korean.jpg?v=1786729159</image:loc>
      <image:title>Joseon (North Korea)</image:title>
      <image:caption></image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/vajrabhairava</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/Vajrabhairava_Shopify_Image_-_Optimised.jpg?v=1788950277</image:loc>
      <image:title>Vajrabhairava</image:title>
      <image:caption>Dating approximately to the 19th century, this reproduction of Vajrabhairava is one of twelve surviving Tibetan divination cards.
Vajrabhairava is one of the great wrathful deities of Tibetan Buddhism, depicted in his terrifying buffalo-headed form surrounded by flames. His fearsome appearance is deliberate: this is spiritual power represented in its most uncompromising form.
Also known as Yamantaka, the “Destroyer of Death”, Vajrabhairava is a wrathful manifestation of Manjushri, the bodhisattva associat</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/the-five-jewels</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/The_Five_Jewels_Shopify_Image_-_Optimised.jpg?v=1788949808</image:loc>
      <image:title>The Five Jewels</image:title>
      <image:caption>Dating approximately to the 19th century, this reproduction of The Five Jewels is one of twelve surviving Tibetan divination cards.
Five coloured forms are arranged against a vivid red ground, creating one of the simplest and most striking compositions in the Threads of Fortune collection.
Precious jewels and treasures carry rich symbolism in Tibetan Buddhism, where they can represent spiritual wealth, qualities of the Buddhist teachings and things considered precious beyond their material value. Groups o</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/the-golden-oracle</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/The_Golden_Oracle_Shopify_Image_-_Optimised.jpg?v=1788949809</image:loc>
      <image:title>The Golden Oracle</image:title>
      <image:caption>Dating approximately to the 19th century, this reproduction of The Golden Oracle is one of twelve surviving Tibetan divination cards.
A golden-yellow figure sits at the centre of the card against a vivid red ground, its simple form surrounded by the bold blocks of colour characteristic of the Threads of Fortune collection.
Yellow and gold carry powerful associations within Tibetan Buddhist imagery, including abundance, prosperity, learning and spiritual richness. Colour is rarely simply decorative.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/the-green-guardian</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/The_Green_Guardian_Shopify_Image_-_Optimised.jpg?v=1788949808</image:loc>
      <image:title>The Green Guardian</image:title>
      <image:caption>A wonderfully distinctive reproduction from a remarkable series of twelve Tibetan divination cards, depicting a green, animal-headed figure seated within concentric fields of red, blue, and green. The figure holds ritual attributes in each hand and is surrounded by the bold, highly stylised forms characteristic of the series.
The precise identity and divinatory meaning of the figure have not been securely established. The Green Guardian is therefore a modern editorial title, chosen to describe the image wi</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/the-oracle-tablet</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/The_Oracle_Tablet_Shopify_Image_-_Optimised.jpg?v=1788948929</image:loc>
      <image:title>The Oracle Tablet</image:title>
      <image:caption>Dating approximately to the 19th century, this reproduction of The Oracle Tablet is one of twelve surviving Tibetan divination cards.
Unlike the deities, guardians and ritual objects elsewhere in the collection, this card is dominated by a striking geometric form: a grid of coloured squares arranged against a vivid red ground.
Geometric diagrams, grids and numerical systems have long played a role in Tibetan divinatory traditions, where calculations and symbolic arrangements could be used to interpret cir</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/the-red-oracle</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/The_Red_Oracle_Shopify_Image_-_Optimised.jpg?v=1788948929</image:loc>
      <image:title>The Red Oracle</image:title>
      <image:caption>Dating approximately to the 19th century, this reproduction of The Red Oracle is one of twelve surviving Tibetan divination cards.
A vivid red figure sits cross-legged at the centre of the card, surrounded by bold fields of red, blue and green. The simplicity of the composition gives the figure an extraordinary presence, with the intense red pigment dominating the image.
Red is a powerful colour in Tibetan Buddhist imagery, associated with magnetising activity, energy and the transformation of desire. Rat</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/the-red-vajra</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/The_Red_Vajra_Shopify_Image_-_Optimised.jpg?v=1788948929</image:loc>
      <image:title>The Red Vajra</image:title>
      <image:caption>Dating approximately to the 19th century, this reproduction of The Red Vajra is one of twelve surviving Tibetan divination cards.
At its centre is the vajra, one of the most important ritual objects and symbols in Tibetan Buddhism, depicted here in vivid red against a field of strong geometric colour.
The Sanskrit word vajra can mean both thunderbolt and diamond, combining two powerful ideas: the irresistible force of the thunderbolt and the indestructible nature of the diamond. In Buddhist symbolism it c</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/the-sacred-bell</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/The_Sacred_Bell_Shopify_Image_-_Optimised.jpg?v=1788948929</image:loc>
      <image:title>The Sacred Bell</image:title>
      <image:caption>Dating approximately to the 19th century, this reproduction of The Sacred Bell is one of twelve surviving Tibetan divination cards.
At its centre is a ghanta, the ritual bell used throughout Tibetan Buddhist practice, depicted here in wonderfully simple, almost geometric form against a vivid red ground.
Traditionally used together with the Red Vajra in Tibetan Buddhist ritual, the bell represents wisdom while the vajra represents method or compassionate action. Held in opposite hands during ritual, the tw</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/the-sacred-union</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/The_Sacred_Unon_Shopify_Image_-_Optimised.jpg?v=1788948930</image:loc>
      <image:title>The Sacred Union</image:title>
      <image:caption>Two figures appear locked in an intimate embrace, creating one of the most immediately intriguing images in the Threads of Fortune collection. To Western eyes the imagery can appear explicitly sexual, but within Tibetan Buddhist art such unions can carry a much deeper symbolic meaning.
Known in Tibetan Buddhist iconography as yab-yum, meaning “father-mother”, the embrace represents the union of complementary principles, particularly wisdom and compassion or wisdom and skilful means. Rather than depicting s</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/the-white-guardian</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/The_White_Guardian_Shopify_Image_-_Optimised.jpg?v=1788948897</image:loc>
      <image:title>The White Guardian</image:title>
      <image:caption>Dating approximately to the 19th century, The White Guardian is one of twelve surviving Tibetan divination cards.
A pale guardian figure stands dramatically against a deep red ground, surrounded by the bold geometric forms characteristic of the collection. Its almost skeletal appearance gives the image an immediate and slightly unsettling presence.
In Tibetan Buddhist imagery, fierce and unusual appearances do not necessarily signify evil. Guardian figures can embody protective forces.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/the-white-oracle</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/The_White_Oracle_Shopify_Image_-_Optimised.jpg?v=1788948747</image:loc>
      <image:title>The White Oracle</image:title>
      <image:caption>Dating approximately to the 19th century, The White Oracle is one of twelve surviving Tibetan divination cards.
A white-robed figure sits cross-legged against a deep red ground, framed by the distinctive geometric border shared across the collection. Compared with some of the more ferocious figures in the series, the image is strikingly calm and contemplative.
White carries powerful associations in Tibetan Buddhist imagery, including purity, peaceful activity and pacification. Figures depicted in white</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/the-wrathful-guardian</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/Wrathful_Guardian_Shopify_Image_-_Optimised.jpg?v=1788948617</image:loc>
      <image:title>The Wrathful Guardian</image:title>
      <image:caption>Dating approximately to the 19th century, The Wrathful Guardian is one of twelve surviving Tibetan divination cards.&amp;nbsp;
A fierce red guardian dances among flames against vivid fields of blue and green. With its exaggerated features, dynamic pose and fiery aureole, this is one of the most visually arresting images in the Threads of Fortune collection.
Wrathful guardians have an important place in Tibetan Buddhism, where their ferocious appearance can represent protection rather than malevolence. </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/the-wrathful-guardian-copy</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/Threads_Of_Fortune_Complete_Collection_1.png?v=1786961610</image:loc>
      <image:title>Threads of Fortune: The Complete Collection</image:title>
      <image:caption></image:caption>
    </image:image>
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  <url>
    <loc>https://baxcoart.myshopify.com/products/the-korean-peninsula</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/SKstandard.jpg?v=1787305223</image:loc>
      <image:title>The Korean Peninsula</image:title>
      <image:caption></image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/falkland-islands-islas-malvinas</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/Malv_standard.jpg?v=1787305117</image:loc>
      <image:title>Falkland Islands &amp; Islas Malvinas</image:title>
      <image:caption></image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/ama</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/BAXCO_Ama_PRIMARY_SHOPIFY.jpg?v=1788352774</image:loc>
      <image:title>Ama</image:title>
      <image:caption>Ama takes its name from Japan’s centuries-old tradition of female free-divers, who descended into coastal waters without breathing apparatus to gather abalone, shellfish and other treasures from the sea.
This reproduction of an extraordinary 1870s colour woodcut by Tsukioka Yoshitoshi transforms that real-world tradition into something altogether more fantastical. </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://baxcoart.myshopify.com/products/shimadai-kasugodai-copy</loc>
    <lastmod>2026-09-23T16:33:41+01:00</lastmod>
    <changefreq>daily</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1065/6674/6446/files/BAXCO_Tai_PRIMARY_SHOPIFY.jpg?v=1788441108</image:loc>
      <image:title>Tai</image:title>
      <image:caption>Tai takes its name from the Japanese word for sea bream, a fish traditionally associated with celebration and good fortune.
This reproduction of a late-19th-century Japanese colour lithograph presents the fish in magnificent isolation. Its powerful body, intricate scales and dark copper colouring stand against the deep blue ground, enclosed by a delicate ornamental border.
The original appeared in Namima no nishiki, or Brocades of the Waves, a remarkable series of twelve prints devoted to the inhabitants </image:caption>
    </image:image>
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</urlset>
